When in Rome there is the
opportunity to visit another country, namely the Vatican. Not too many border
controls here except for an entry payment. We went with a tour run by "Enjoy Roma" and had an
excellent guide. There was so much information I could have done with a
recorder.
The new ticket hall which
Pope John Paul commissioned leads up and out to a large courtyard where the
dome of St Peter’s Basilica is immediately apparent glimpsing through the
trees.
The gardens are also
beautiful but this glimpse was all there was time for.
Being a separate country the
Vatican has its own radio which means an unsightly tower.
We were then given a handout
of the ceiling paintings within the Sistine Chapel (named after Pope Sixtus IV, who
built the chapel in the 1470s). Michelangelo undertook the painting which was a
remarkable feat for several reasons: he was not a painter but viewed himself as
a sculptor and declined the commission on several occasions (a pretty dangerous
thing to do in those days), he had to persuade the Pope to change his
requirements so that the pictures represented a story and then the physical
challenge of painting from a scaffold over a four year period and not being
able to see what it would look like from the ground. Michelangelo was not only
a very talented sculptor and artist but was also the architect on several
buildings.
The reason for the handout
was that you are not allowed to talk in the chapel (only the Pope is allowed to
speak here). Additionally, no photography is allowed.
We first entered a long
gallery which was remarkable on two counts – it went on forever (it is some 200
metres long) and slopes down so you really get some appreciation of the length.
There are three galleries, paintings, tapestries and maps (paintings). We
actually travelled the wrong way as the Pope walks up the gallery and all the
ceiling paintings were upside down from our perspective. Underneath us was a
second gallery for going the other way!! (Which is not open to the public.)
The level of detail, elegance
and integration of the artwork was mesmerising.
Some of the ceiling was just
sumptuous.
This part of the ceiling with
its relief looks to be in plaster but is in fact a flat painting.
We went through a gallery
(particularly pleasant as it was air conditioned) where there were huge tapestries made in
Belgium. This was followed by a gallery of maps. They are remarkably detailed
for their time (1580). Although they do take a little time to comprehend as there is no
North point - they all point to Rome!
We then went into the
supposedly quiet Sistine chapel. This is where the Pope is elected and a chimney is built on these occassions to enable the votes to be burnt. It was fascinating and the handouts were very
helpful in understanding the various elements of the paintings. What was
disappointing was the frankly disgraceful behaviour of many of the visitors. Some
took photographs while many more just could not stop talking. Although there
were guards about who tried to keep order it was a useless exercise.
Outside we made our way to
the entry to the Basilica. The first door Porta Santa is only opened on special Holy days –
every 25 years. There are exceptions as Pope John Paul declared a special year
to celebrate Mercy. However, it is not as simple as unlocking it – behind is a
wall that first has to be demolished.
Inside is huge and
staggeringly beautiful. It took 80 architects to design and build the
Basicillica which is not an approach that would normally drive a successful
result but they seem to have got it right – eventually. It took 200 years to
build so I suspect there was some rejected work along the way. Some of the detail
such as perspctive was awesome. These two statues appear to be of a similar
size to the viewer (which is the intention as no Saint should be superior to
another). However, the top one is almost twice as big as the bottom one so from
the ground they appear to be the same size.
Michelangelo’s favourite form
was sculpting and he takes pride of place to the right and just inside the
entry. This was one piece of marble. The flowing robes almost look soft.
This being Rome no other
Basilica in the world is allowed to be larger. In the centre of the floor is a
fenced off strip with the lengths of other Basilicas throughout the world.
Sydney at 114.61 metres is about half the length of the Vatican at 220m.
The way the light enters
through the dome appears heavenly.
The ceiling is reflected in the floor design with each dome
outlined in a circle of marble.
As for the paintings – well
there aren’t any. This is great news as any photography including flash is
allowed. These are mosaics. We had to be told this as there was no way the
untrained eye from a distance could pick this up. Look at the colours – which
of course don’t fade – just need a bit of a wash periodically.
The three hour tour was over
very quickly and although a walk up to the dome was allowed the team decided
that their legs were not up for it. We will need to come back for that experience.
We exited into the main
square. It is enormous and no photo can really give an appreciation of the
size. Suffice to say the Basilica has space for 60,000 but this number is often
exceeded for special events so ceremonies are held in the square where some
400,000 can be accommodated.
As we left the secure area
and entered the square there were two Swiss guards on duty. They have been
guarding the Vatican since 1506. (Not these two who looked very young.)
Out in the early evening sun it was time to look for a place
to sit and have some refreshment.
A last glance back.
There were many enticing
restaurants – this was a great bit of decoration - anyone want to play pick up sticks?
And finally arriving at our planned destination of Piazza
Navona.
We had a great meal with some
very humorous service by two Bangladeshi waiters as we assisted in recruiting
other Aussies and Kiwis to a nearby table. Excellent food. One of our waiters assisted with this photo - it is clear that for the moment to be captured it had to include the restaurant's name!
The square however, was a disappointment. Two years ago there was a huge variety of painters, necklace makers etc who made it a really vibrant place. Now it has reduced to cartoon caricature painters and human statues and just lacks diversity with the resultant decline in interest.
The square however, was a disappointment. Two years ago there was a huge variety of painters, necklace makers etc who made it a really vibrant place. Now it has reduced to cartoon caricature painters and human statues and just lacks diversity with the resultant decline in interest.
However, we did nip round the corner to the Frigidarium for
a gelato – nothing had changed there; you still queue in the street and the gelato was still brilliant.
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